Punch Brothers was formed in 2006 by Chris Thile. The band’s other four members are Chris Eldridge (guitar), Paul Kowert (bass), Noam Pikelny (banjo), and Gabe Witcher (fiddle). Punch Brothers’ first Nonesuch record, Punch, was released in 2008 and was followed by the Grammy–nominated Antifogmatic in 2010 and Who’s Feeling Young Now? in 2012. The Chicago Tribune called their most recent release, 2015’s Grammy–nominated The Phosphorescent Blues, “a typical genre-busting melange of avant-roots music that fuses jazz instrumental chops and acoustic earthiness, Beach Boys harmonies and Debussy string dances, slinky acoustic rock songs and blues laments.”
I'M WITH HER
I’m With Her’s Watkins, Jarosz, and O’Donovan had crossed paths many times in their careers, yet it was an impromptu performance at the 2014 Telluride Bluegrass Festival that sparked the formation of I’m With Her. The trio spent the following spring and summer touring the world, garnering acclaim for their unique blend of instrumental interplay combined with their indelible harmonies. The New York Times said of a 2015 concert, “Each song in the trio’s generous set was meticulously arranged to make the most of the many ways the musicians could blend. Serene understatement was the concert’s hallmark; at times, the music was so quiet I could hear the club’s floorboards creaking.”
Arclight, Julian Lage’s Mack Avenue debut, marks his first recorded outing on electric guitar and in a trio format, backed by double bassist Scott Colley and drummer Kenny Wollesen. Like that titular intense white light, Lage is a performer who burns brightly: The pace he sets is brisk, the mood often upbeat, the playing so quick-witted and offhandedly dazzling that one is compelled to immediately press “repeat,” especially when tracks like “Persian Rug” and “Activate” whiz by in under two and a half minutes. For a thoughtful artist like Lage, who will research and ruminate on a project long before he sets foot in a studio, this was a liberating experience, plugging in and playing with a kind of abandon. He was encouraged along the way by his producer and friend, the eclectic singer-songwriter Jesse Harris, who helped maintain an air of spontaneity and discovery throughout the trio’s three-day stint at Brooklyn Recording.
Lage has long been heralded for his virtuosic ability as an acoustic guitarist. In fact, he was well known in musician circles as a guitar prodigy, whose early genius was captured in a 1997 Oscar-nominated documentary short, Jules At 8. As an adult, he’s fulfilled the promise of his extraordinary youthful talent. The New Yorker’s Alec Wilkinson declared, “He is in the highest category of improvising musicians, those who can enact thoughts and impulses as they receive them.” Nate Chinen of the New York Times called Lage “one of jazz’s breezier virtuosos, possessed of an unflappable technical facility and a seemingly boundless curiosity.” After independently releasing a solo acoustic set of largely original material called World’s Fair in 2014, that curiosity prompted Lage to reconsider the electric guitar, specifically a Fender Telecaster – “the most refined embodiment of the modern guitar,” as he puts it.
“The Telecaster has been around for more than 60 years,” says Lage, “and it’s still so present. I took that as a parameter: Arclight focuses on my love of the electric guitar, specifically the Telecaster. And even more specifically, it’s centered on a jazz trio. It’s basically a realization of this recessive obsession I’ve had for a long time, but had never followed. I wanted to do songs that I feel maybe fell through the cracks for me when I was growing up, but now feel like a brand new kind of music.”
Though up to now Lage has largely recorded and performed original material, he wanted to explore his interpretive skills on Arclight, concentrating on music from the early to mid-20th century, “jazz before be-bop.” This was a period that had also inspired his composing for World’s Fair. As he did then, Lage consulted Brooklyn-based guitarist, banjo player and music scholar Matt Munestiri, who had already pored over the more obscure pages of the American Songbook. Explains Lage, “I had this conundrum. I was looking for minor songs and slightly more melancholy music from the twenties. Matt sent me about 20 songs that ranged from Willard Robison to Sidney Bechet to Jack Teagarden, Bix Biederbecke and Spike Hughes, a British band leader who had a recording of a song called ‘Nocturne’ that ended up on our record. He nailed this melancholy zone of jazz that I felt was kind of forgotten. It was really poignant, melodic music that had a quirk to it. I think of it as the pre-be-bop generation, when country music and jazz and swing were in this weird wild-west period. “
Along with ‘Nocturne,’ Lage tackled W.C. Handy’s “Harlem Blues,” a Gus Kahn-Neil Moret piano roll number called “Persian Rug,” and “I’ll Be Seeing You,” which starts off tenderly but gives way to a lively improvisational mid-section before finding its way back to the gentle, classic melody. The rest of the album consists of originals, which, notes Lage, “celebrate the other period I’m obsessed with, the Keth Jarrett American quartet period, an improvisational jazz era that had such a rich connection to songs and to folk music. This was the concept for the album.”
Playing a Telecaster is also an affectionate nod to Lage’s childhood: When he was four years old, his dad, a visual artist, had made him a plywood guitar, based on a Fender Esquire he’d traced from a Bruce Springsteen poster. Lage “played” that guitar until his dad bought him a real electric guitar a year later and they started practicing blues progressions and improvisation together. Similarly, Lage’s all-star rhythm section on Arclight recalls the sounds, the bands and the gigs that inspired him as a young musician. Lage remembers seeing Colley and Wollesen at famed Bay Area jazz club Yoshi’s, backing his hero, the late guitar icon Jim Hall, as well as his early mentor, Gary Burton: “I would go to these shows, sit up front, put my head on the stage and watch. They were the most formative jazz guitar experiences of my life. And they were with these guys. I didn’t specifically intend to reassemble that dream crew but then I thought I had a chance, why not call them? I love them, I know their sounds; they would get my vision. And that’s what tied everything together. This was not only a band where I could get to play all this stuff that I’ve come up with, this is band of people I love listening to. And that was so refreshing coming from the solo guitar thing, which was a very personal quest to build a solid individual foundation of music on the guitar. “
Jesse Harris became both observer and arbiter as the sessions unfolded, an invaluable role. While Lage would perceive a take as merely the first in a series, Harris, as Lage recounts, would say: “’That’s it! Do you hear the spirit, the narrative, the build? Do you see how you struggle there but nail it here? That’s the ebb and flow.’ I absolutely loved it. This was very different than the solo guitar record, where I felt as though only I knew when it was done. I was outnumbered on this one, and by all my favorite people and musicians. Arclight also has a spirit to it, this raucous energy, a thing that I felt was so strongly connected to this music and this band. There was a concept, a philosophy, a tonal palette, but that kind of energy, that almost dance-band vibe – Jesse could see it a mile away. It was so much fun to turn it up loud in the studio, and feel the music that way.”
Concludes Lage, “I feel like I’ve been on this very focused mission to make certain things a part of my musical life, and the electric guitar was one of the things that was missing. I’m very excited to share this. “
Punch Brothers and I’m With Her (Sara Watkins, Sarah Jarosz, and Aoife O’Donovan) join forces this summer for the American Acoustic US tour. Guitarist Julian Lage joins the bands, which will play a mix of featured sets and collaborations, as a special guest. The tour takes its name from a June 2016 residency at Washington, DC’s Kennedy Center, curated by singer/mandolinist and A Prairie Home Companion host Chris Thile, that culminated in a show including Punch Brothers and I’m With Her, with half the show devoted to extensive collaboration between all the musicians.
“To call the Punch Brothers a well-oiled machine would imply that there is a drop of oil to be seen, when in fact they [are] staggeringly tight and clean.” —Boston Globe
“The harmonies couldn’t have been purer, or the picking more precise, when the trio I’m With Her— an alliance of Americana virtuosos — performed.” —New York Times