After 19-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey's McGee might be forgiven if they chose to rest on their laurels. But then that wouldn't be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one.
As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey's McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. Bits and pieces of classic songs are culled from 40-plus years of popular music from 70s Reggae to 80s Pop to 90s Metal and everywhere in between. From Radiohead mashed with Beck, The Weeknd with Fleetwood Mac, Talking Heads with Bob Marley, Metallica with Gorillaz . . . nothing is off limits.
The original Umphrey's McGee played a mix of originals and cover songs, waiting just eight months to release their debut album, the cheekily titled Greatest Hits Volume III. Their initial "proper" recording, Local Band Does OK, came out in 2002, followed shortly afterward by an appearance at the first-ever Bonnaroo in Tennessee, selling more albums than any other band on the bill. The 2007 double album, Live at the Murat, earned a four-star review in Rolling Stone and a Jammy for Best Live Album.
Despite attempts at categorizing UM, the band has devoted its craft to making their devoted followers feel as if they are part of something larger, through such technology-fueled innovations as fan-curated sets, the immersive high-end audio offering, "Headphones & Snowcones," where the pristine sound of the live soundboard mix is piped wirelessly through high-end personal monitor systems and headphones, as well as making every live show since 2005 available via their live music portal UMLive.net. UM were also the first group to launch its own single-artist streaming service.
Finding themselves in London for three shows at the Brooklyn Bowl in June 2014, the idea of recording at Abbey Road was first proposed by Umphrey's producer Manny Sanchez, a notion, as Bayliss told Rolling Stone that seemed as likely as "being asked to give a sermon at the Vatican."
"It wasn't a goal," he explains, "because it never seemed like a possibility." But never to be bound by what seems possible, UM secured a coveted day at the world's most famous recording studio and dove in headfirst.
Twelve hours after first setting foot in Abbey Road Studios, just before midnight, Umphrey's McGee left the historic room with their own new album, The London Session, what Rolling Stone dubs "a historical primer, an evolution story inside 51 minutes."
Umphrey's McGee are more than just a rock band -- through nearly two decades, they have proven to be on the cutting-edge of both music and technology, super-serving their fans through a community that stretches from the campus of Notre Dame to the hallowed halls of Abbey Road.
A 6 piece powerhouse with a sound that is both unique and timeless, BIG Something fuses elements of rock, pop, funk, and improvisation to take listeners on a journey through a myriad of musical styles. It's no secret why this group has quickly become one of the most exciting new bands to emerge from the Southeast. Soaring guitars, synths, horns and alluring vocal hooks rise to the top of their infectious collection of songs and represent a sound that has caught the ears of such revered Summer circuit stalwarts as Umphrey's McGee, Galactic, moe., Robert Randolph, and even The B52s who have all tapped Big Something as direct support.
In February 2017 the group released their 4th full-length studio album, Tumbleweed, which was recorded once again with the help of grammy nominated producer John Custer (Corrosion of Conformity). He has produced all of their albums including Truth Serum, which was named 2014 Album of the Year by The Homegrown Music Network, making Big Something the only band ever to win this award 3 times with 3 different releases (2010, 2013, and 2014). BIG Something has been featured in Relix Magazine, Guitar World, Glide Magazine, JamBase, ArtistDirect, and more.
Umphrey’s McGee is a touring powerhouse, performing 100+ shows per year, headlining annual shows across the US including Red Rocks Amphitheatre in Morrison, CO and the Beacon Theatre in New York. Umphrey’s is a constant US festival staple, with performances at major events including Lollapalooza, Austin City Limits, Rothbury, and Bonnaroo (for a record tying 7th appearance this year), as well as international festivals Fuji Rock Festival (Japan) and Byran Bay Blues Festival (Australia). The band hosts their own festival in Illinois, Summer Camp Music Festival, where they perform three nights, and have hosted the likes of Primus, Janes Addiction, Thievery Corporation, and Willie Nelson, to name a few. Umphrey’s McGee has also hosted and headlined Jam in the Dam (2006. 2008. 2010), a three night mini festival at the Melkweg in Amsterdam.
“With 15 years of continuous touring, an exceptional lighting director..and a loyal Midwest fanbase...Umphrey’s McGee has solidified themselves as a top tier act that closed out a commemorative year in style.” - The Denver Post
“Impeccable chops, jigsaw-puzzle tunes, sexy-time dance grooves, X-factor surprises, classic-rawk grandeur, and a refreshing sense of humor make this Midwest-spawned sextet among the four or five most fascinating bands in the country right now….Catch them while they're still cult.” - The Village Voice
NOTE: Two-Day tickets are SOLD OUT!