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Diamond Rio / Mo Pitney

Diamond Rio
  • Diamond Rio

    Biography

    Formed in 1989 in Nashville, TN the band consists of Gene Johnson (mandolin, tenor vocals), Jimmy Olander (lead guitar, acoustic guitar, banjo), Brian Prout (drums), Marty Roe (lead vocal), Dan Truman (keyboards), and Dana Williams (bass guitar, baritone vocals).


    Diamond Rio’s most recent release I Made It, is their tenth studio album. The title track was co-written by the band’s lead guitarist Jimmy Olander and features 11 new songs. Produced by Olander and Mike Clute, I Made It is available on iTunes and www.diamondrio.com


    Diamond Rio signed to Arista Records and in 1991 with the release of “Meet In The Middle” became the first country music group in history to reach No. 1 with a debut single. The band is also known for their hits “How Your Love Makes Me Feel,” “One More Day,” “Beautiful Mess,” “Unbelievable,” “In A Week or Two,” and more. They released their first-ever autobiography, Beautiful Mess: The Story of Diamond Rio on Thomas Nelson in 2009.


    The band known for playing every note on every album recently celebrated their 30th Anniversary, has sold more than 10 million albums, won a Grammy Award, a Dove Award, six Vocal Group of the Year wins (CMA and ACM), released two Greatest Hit albums, a live and Christmas project, earned five multi-week no. 1 singles, 22 Top 10 singles, three certified Platinum and five gold albums, released an autobiography – and with zero band member changes. Known for their charity commitments including long-time spokespersons for Big Brothers Big Sisters, the band has raised over $1,000,000.00 for non-profits and received the Minnie Pearl Humanitarian Award.


    www.diamondrio.com


    Facebook: DiamondRio

    Twitter: @DiamondRioBand

    Instagram: diamondrioband

  • Mo Pitney

    Mo Pitney

    Biography

    When the time came for Mo Pitney to choose a title track for his new album,
    there was little doubt as to which song it should be. After years spent both honing
    his sound and growing his family, Pitney reached something of a turning point:
    He knew who he was as an artist and a person, and felt it was time to introduce
    himself in song. The title of new track "Ain't Lookin' Back" summed things up
    better than anything else could, and Pitney's long-awaited sophomore album was
    born.


    Ain't Lookin' Back follows Pitney's 2016 debut Behind This Guitar, an acclaimed
    LP that cracked Billboard's Top Ten Country Albums Chart the first week of its
    release. Pitney recorded Behind This Guitar with veteran producer Tony Brown,
    an experience he says greatly informed how he approached his time in the studio
    for Ain't Lookin' Back.


    "Since then, I feel like I’ve learned a lot being in the studio," Pitney says. "I
    almost learned so much it made me partially gun-shy on this second album.
    When you’re in the middle of making an album, at least my first album,
    everything was exciting and sounded good to me. I didn’t know what I really
    wanted and what I didn’t."


    In the years following Behind This Guitar's release, Pitney found himself "writing
    for the sake of writing," as he puts it, following his passion to "write every day"
    and see what comes of the practice. "I don’t know that I was even thinking much
    about making my next album," he says. "But when I had about five or six songs
    that I really started to want to play live, the thought came into my mind, ‘It’s time
    to make a record.’"


    Ain't Lookin' Back began to take fuller shape when Pitney brought on a new
    producer, his longtime friend and collaborator Jim "Moose" Brown. Moose had
    played piano on Pitney's very first Nashville recording and, after Pitney had taken
    several meetings with potential producers, kept coming up as the right person to
    help helm the project.


    "We had breakfast," Pitney shares, "and I said, ‘Moose, I really want to make a
    record and I’ve just been waiting for the right person. My wife has brought your
    name up. Your name has come to mind a bunch for me. Would you produce my
    next project?' He says, ‘You know what, Mo? Let me think about it.’"
    At first, Pitney was taken aback by what seemed to be Brown's hesitancy, but
    soon realized that the producer's diligence was exactly what he needed in a
    partner in the studio. "Moose listened to the first album and to everything of mine
    on YouTube, and of course he had played on a bunch of my demos, too, and
    tried to absorb who I was," Pitney says. "I have never had anyone in town study
    me musically as much as he did before we went into the studio. He wanted to
    really understand who I was."


    Together, Pitney and Brown began poring over the hundreds of songs Pitney had
    written over the years, while also listening to outside songs and remaining open
    to any new ideas Pitney may have in the process. They whittled down the bunch
    to about 22 tracks before making charts for the band and heading into the studio
    for three days of recording. After some internal deliberations and conversations
    with his team at Curb, Pitney chose the 13 tracks that best represented him in
    this season of his life.


    Pitney describes his time making Ain't Lookin' Back as "the most joyful" musical
    experience he's had thus far. Making the album transported him to a time when
    he made music for music's sake, and one can hear that joy in the 13 tracks that
    comprise the new LP. His growth is also evident in the songs' arrangements,
    which incorporate new sounds like loop pedals and programmed drums, both of
    which Pitney had feared including in his earlier music, but now feels are
    important tools in his musical toolbox. “I realized I could use these in a way that
    still had heart and stay authentic to my style,” shares Pitney.
    "Before making my first album, music, for me, was completely made out of desire
    and love and faith," he says. "I knew I was supposed to make music, so when I
    sat down to sing, when I felt all three of those things, everything I was doing was
    really believable to me and the people around me. Moving to Nashville, I adopted
    making music out of fear. The second the red light went on and there were
    people around me that had certain expectations of what it was supposed to
    sound like, it immediately instilled in me this fear that I wasn’t going to live up to
    that."


    You can hear Pitney's joy all across Ain't Lookin' Back, from the opening acoustic
    guitar notes of "A Music Man" to the final chords of closing track, "Jonas." The
    rhythmic acoustic guitar and shuffling beat of the title track mimic a train
    triumphantly leaving the station, as Pitney sings, "I ain't lookin' back, why would I
    when I ain't going that way?" "Boy Gets the Girl" is sweet and playful, the kind of
    song that's sure to land on plenty of romantic summer playlists. The wistful
    "Mattress on the Floor" chronicles Pitney's early days with his wife, channeling
    the excitement of young love through evocative images like "bedsheet on the
    window" and "boxed wine on her kiss."


    Pitney went on a sonic journey while making Ain't Lookin' Back, but his life
    outside of the writing room played a big role in shaping his new music, too. He
    and his wife Emily welcomed their first child, Evelyne, in 2017, and are expecting
    a second child in July. Being a parent has been integral to Pitney's ability to
    reconnect with his purest musical passions while also serving as motivation to
    get out, make new music and have faith that he is walking the right path.
    "Two things happened with having a baby," he says. "Everyone talks about how,
    when a kid comes, you're able to see the world through their eyes again and a
    leaf falling on the driveway is the most interesting thing in the world. You have
    the ability to start over and relive that again... But also, it's like, 'Oh my gosh. This
    little kid depends on me to bring checks home and pay the bills.' That's where the
    faith has to take over that God has a plan, and He's taking care of my daughter
    more than I am. I don't think He believes in ruining art for the sake of financial
    gain."


    Ain't Lookin' Back nods decidedly to Pitney's musical roots, which are certainly
    steeped in country tradition, but find him firmly facing forward. More than that,
    though, it's a snapshot of a man who found the faith in The One thing that could
    help him come into his own and share with others what he's learned along the
    way.

7:30 P.M. / doors open 6:30 P.M. Buy Tickets

Show Description

At This Time There Are No Health Entry Requirement For This Event. 

GRAMMY award winning country act Diamond Rio has announced a performance in Cincinnati at Taft Theatre on Friday, January 6. Up and coming country singer Mo Pitney will support the show.

ABOUT DIAMOND RIO
Formed in 1989 in Nashville, TN the band consists of Gene Johnson (mandolin, tenor vocals), Jimmy Olander (lead guitar, acoustic guitar, banjo), Brian Prout (drums), Marty Roe (lead vocal), Dan Truman (keyboards), and Dana Williams (bass guitar, baritone vocals).

Diamond Rio’s most recent release I Made It, is their tenth studio album. The title track was co-written by the band’s lead guitarist Jimmy Olander and features 11 new songs. Produced by Olander and Mike Clute, I Made It is available on iTunes and www.diamondrio.com

Diamond Rio signed to Arista Records and in 1991 with the release of “Meet In The Middle” became the first country music group in history to reach No. 1 with a debut single. The band is also known for their hits “How Your Love Makes Me Feel,” “One More Day,” “Beautiful Mess,” “Unbelievable,” “In A Week or Two,” and more. They released their first-ever autobiography, Beautiful Mess: The Story of Diamond Rio on Thomas Nelson in 2009.

The band known for playing every note on every album recently celebrated their 30th Anniversary, has sold more than 10 million albums, won a Grammy Award, a Dove Award, six Vocal Group of the Year wins (CMA and ACM), released two Greatest Hit albums, a live and Christmas project, earned five multi-week no. 1 singles, 22 Top 10 singles, three certified Platinum and five gold albums, released an autobiography – and with zero band member changes. Known for their charity commitments including long-time spokespersons for Big Brothers Big Sisters, the band has raised over $1,000,000.00 for non-profits and received the Minnie Pearl Humanitarian Award.